Supporting Printmaking and Embracing Artistic Connections: Join me at the RMIT Print Auction

I hope this post finds you well. Today, I wanted to share my ongoing connection and fondness for the printmaking department at RMIT University. As some of you may know, I had the pleasure of working with Printmaking at RMIT through a hybrid program called Print Imaging Practice, which holds many dear memories for me. During my time there, I was introduced to the rich traditions associated with Printmaking and the vibrant Printmaking department.

One event that holds a special place in my heart is the annual print auction organized by the Open Bite Association. Every year, around this time, I receive an email announcing the auction date, accompanied by a humble request for donations. It's something I wholeheartedly support, both by donating my own work and attending the event to purchase remarkable art. In fact, as I sit here in my studio writing this post, I am surrounded by three beautiful prints that I acquired at last year's auction.

Typically, I donate a print from a past exhibition, as it always finds an appreciative new home and supports the printmaking students. However, this year is a little different for me. I will be donating a work that is yet to be exhibited, giving attendees a sneak peek into my upcoming exhibition. Speaking of which, next year I will be presenting a new body of work under the Mediated by the Digital Lens umbrella. While last year's show, "The Imperfect Beauty of the Sublime" at ACAE Gallery in Collingwood, explored similar themes, this new collection draws inspiration from my experiences in Nepal and Japan.

The Winter Sun - B.Kozka 2023 (58cm x 32cm)

The Winter Sun - B.Kozka 2023 (58cm x 32cm)

During my time in Japan, I discovered the poetry of Ryōkan, and I couldn't help but see a connection between his work and my own. It's fascinating how art and inspiration can transcend time and geography. The piece I'm donating to the printmaking auction is titled "The Winter Sun" and was created in Japan in January 2023. While the final exhibition will feature larger prints, measuring 1 x 1.8m, for the auction, I've prepared a unique 58x32 (image size) print. It's an artist's proof or test print, a one-of-a-kind piece, and it's printed on Canson Platine.

I highly encourage all of you to consider attending the print auction. It's always a wonderful night filled with incredible prints, supporting a fantastic department with dedicated staff and talented students. If you're interested in the work I'm donating and are unable to attend the event, I believe they offer phone bidding or possibly online options.

Let's come together to celebrate the art of printmaking, support emerging artists, and contribute to the thriving artistic community at RMIT. I look forward to seeing you at the auction and sharing this enriching experience with all of you. Thank you for your continued support and enthusiasm.


SAVE THE DATE: Friday 25 August, in Building 49, 67 Franklin Street, Melbourne, VIC, 3000 .


Bronek Kozka

 Bronek Kozka lives and works in Melbourne Australia. Kozka has an ongoing involvement in arts education, he is a lecturer at the Royal Melbourne Institute of Technology (university). An ongoing investigation into the portrayal of remembered moments, through the tableau photograph, has lead to explorations of “real vs. fake”, the use of 3d scanning and much more fluid understanding of what we remember and why it’s important to us.

 

Kozka has completed a BA (photography), MA (Arts) and is currently a PhD candidate: “Perfect: Synthetic: hyper-reality, the re-staging of memory and the tableau”  looks at cultural theme parks, outdoor museums and historical re-enactment groups.

 

His images are constructed, be they physical room sets, 3D generated spaces (and characters) or other artificial spaces, such as the “Theme Parks” series. This “construction” based approach to lens based work has also informed his sculptural practice.

 

Kozka has exhibited in several group shows and award/prize shows, these include the national portrait prizes of both the Australia (2007+2009) and UK (2008), Albury Art Prize (highly commended), SCAP08 (commended) Scap09, Monash Gallery of Art Award (2008+2009) and the Hasseblad Masters Award 2008. Kozka's solo show include "Picturing Community: Ugunja, Kenya" (2002), "Auschwitz Revisited" (2005) and "The Best Years of Our Lives" (2009), Kozka has also been invited to exhibit a solo show at the Grand prix international de photographie de Vevey in September 2010, wining the Broncolor Award for lighting, running in the same month Kozka’s work is also to be shown at the Pingyao International Photo Festival in China at which he was honored with an award. In 2011 Kozka’s work featured at Chobi Mela, the Bangladesh photo festival. Works have been exhibited in Korea (Hanmi Museum of Photography) (2012), Italy (2012), Singapore(SIPF) and China (Pingyao 2012+13). His sculptures have been exhibited in Lorne’s Sculpture Biennale, WSSP with a major work to shown at Sculpture by the Sea (2016).

 

Kozka’s work was published by teNeues in the Hassleblad Masters Book Vol.1, they were “Sunshine House” & “Passion”. Kozka’s work was also featured in the Australian publication (Book), Hijacked: Australian & German Photography and Lumens Festival: Curating the Ancient City.

 

Kozka work is held in private and public collections in Australia and internationally. He is represented by MARS Gallery in

Melbourne & Bett Gallery Hobart, Australia and Clelia Belgrado Gallery in Genova, Italy.